翻訳と辞書
Words near each other
・ Mateo Bertoša
・ Mateo Camargo
・ Mateo Castellanos
・ Mateo Cañellas
・ Mateo Cerezo
・ Mateo Chiarino
・ Mateo Corbo
・ Mateo Correa Magallanes
・ Mateo de Angulo
・ Mateo de la Mata Ponce de León
・ Mateo de Toro Zambrano, 1st Count of La Conquista
・ Mateo Edward
・ Mateo Elías Nieves Castillo
・ Mateo Falcone
・ Mateo Falcone (opera)
Mateo Flecha
・ Mateo Flecha el Joven
・ Mateo Flores
・ Mateo Frazier
・ Mateo Fígoli
・ Mateo Garralda
・ Mateo Gil
・ Mateo Gil, Alcalde
・ Mateo González Manrique
・ Mateo Gucci
・ Mateo Guez
・ Mateo Hasa
・ Mateo Herrera
・ Mateo Hrvatin
・ Mateo Inurria


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mateo Flecha : ウィキペディア英語版
Mateo Flecha
Mateo Flecha (Catalan: Mateu Fletxa) (1481–1553) was a composer born in Kingdom of Aragon, in the region of Prades. He is sometimes known as "El Viejo" (the elder) to distinguish him from his nephew, Mateo Flecha "El Joven" (the younger), also a composer of madrigals. "El Viejo" is best known for his ensaladas, published in Prague in 1581 by the same nephew.
Mateo Flecha directed the music at the cathedral of Lleida (September 1523 – October 1525).〔J. Lérida. Historia de la música. Lleida, 197〕 From there he moved to Guadalajara, in the service for six years of the Duke, Diego Hurtado de Mendoza. From there he went to Valencia where he assumed direction of the chapel choir of the Duke of Calabria. While thus employed, three of his works were included in songbooks associated with that chapel, including the Cancionero de Uppsala. In 1537 Flecha moved to Sigüenza where he served as maestro di cappella for two years. From 1544 to 1548 he lived in the castle at Arévalo as teacher of the Infantas Maria and Joanna, daughters of Philip II of Spain (1527-1598). Toward the end of his life Mateo Flecha became a monk of the Cistercian Order, living in the Monastery at Poblet, where he died in 1553.〔Article ''Flecha, Matheo (i)'' by Mari Carmen Gómez in: (Grove Music Online ). (requires subscription)〕〔Article in the magazine (Goldberg ) link dead April 2010〕〔Article in (beethovenfm.cl ) link dead April 2010〕
Flecha's ensaladas influenced the madrigals of Joan Brudieu.〔John William Woldt ''Spanish madrigals: a study of the madrigals of Morales, Flecha, Valenzola'' 1950〕
==Works==
Mateo Flecha's music was published in part by Fuenllana in his ''Orphenica Lira''. The majority of his works can be found in the Cancionero of the Duke of Calabria (Venice, 1556), also known as the “Cancionero de Uppsala.” Flecha is best known as composer of the "ensalada" (literally "salad"), a work for four or five voices written for the diversion of courtiers in the palace. The ensalada frequently mixed languages: Spanish, Catalan, Italian, French, and Latin. In addition to the ensalada, Flecha is known for his villancicos, or Christmas carols.
In 1581 Flecha's ensaladas were published by his nephew, Mateo Flecha "El Joven" (the younger), in Prague. Of the eleven ensaladas, complete versions remain of only six, ''El jubilate'', ''La bomba'', ''La negrina'', ''La guerra'', ''El fuego'', and ''La justa''. Four of the others are missing a voice. ''El cantate'' is lost because Flecha's nephew did not publish it, considering it to be too long.
Various Spanish vihuelists, like Enríquez de Valderrábano, Diego Pisador, and Miguel de Fuenllana, adapted Flecha's works for the vihuela.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Mateo Flecha」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.